Wednesday, July 8, 2020

Another registration

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Sight imagery in Oedipus at Colonus


"All I shall say will be clear-sighted indeed" pg. 0


"How bitter blindness is" pg. 6


"Not with lost eyes, but looking in your eyes as if I were a child of yours, I beg mercy for him, the beaten man" pg.


"It is my own beaten self no feast for the eyes; yet in me is a more lasting grace than beauty" pg. 117


"You scoundrel… on you and yours forever may the sun god, watcher of all the world, confer such days as I have had, and such an age as mine" pg. 1


"O father, father! I wish some god would give you eyes to see the noble prince who brings us back to you" pg. 14


"I think you'll see how terrible an end terrible wrath may have. You have, I think, a permanent reminder in your lost, irrecoverable eyes" pg. 148


"Not to be born surpasses thought and speech. The second best is to have seen the light and then to go back quickly whence we came." pg. 14


"Who would not grieve for you, sweet brother! You go with open eyes to death!" pg 157


The sight imagery prevalent throughout the Oedipus trilogy serves not only as a symbol of Oedipus' suffering and repentance but reflects a theme prevalent throughout the plays that of human transformation from arrogance to humility and reckless pride to tempered wisdom.


While Oedipus' blindness does serve as a constant reminder of his sins and may be perceived as one of the ultimate effects of human arrogance and folly, it also seems to endow Oedipus with an uncommon wisdom, a prescient quality similar to that possessed by Tiresias. He seems instinctively to know that he has reached the place of his death and ultimate salvation when he enters the grove at Colonus and also knows that, as a man who has forgiven himself and been forgiven by the gods, his dying blessing carries power. Furthermore, far from being unmanned by his injury, Oedipus seems to be more authoritative and stalwart than ever, denying both Creon and his own son in their attempts to sway him. This stubbornness is not one of pride or anger, as Oedipus seems to have learned humility in his wanderings and attempts to reason with the chorus and Theseus, rather than responding with swift violence, as he was prone to do in his youth. His blindness may thus have been necessary in order for him to realize the degree of his own guilt in his fate and come to terms with his past actions, finding peace, if not happiness, at last. The wound, while being a most terrible punishment (or perhaps because of it), allows Oedipus to gain the necessary wisdom to temper his own pride and stubborn determination, or at least become more judicious in their application.


By presenting Oedipus' blindness as the catalyst of his transformation, Sophocles may be suggesting that the only way for a tormented soul to find peace and self-understanding if by separating oneself from the outside world, looking inside oneself and analyzing the transgressions of the past objectively, without constantly being reminded of the nature of their sins and without being affected by the opinions of others, for salvation and peace can only come from within, not through the will of a god or other


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Amazon.com

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Tuesday, July 7, 2020

White Blood Cells

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Eosinophil


Eosinophils are one of the five different types of white blood cells belonging to the subgroup called Polymorphonuclear Leukocytes. Eosinophils are produced in the bone marrow and then migrate to tissue, and they are characterized by large red cytoplasm granules. These cells have the purpose of giving large parasites such as helminths, a hard time. They attach via Cb receptors, the Cb having been produced during the course of alternative pathway complement activation by the helminth. The eosinophils release various substances from their granules. These include major basic protein plus cationic proteins, peroxidase, arylsulphatase B, phospholipase D and histaminase. The granule contents are capable of damaging the parasite membrane. Eosinophil function is incompletely understood. They are prominent at sites of allergic reactions and with parasitic larvae infections ( helminths ). Eosinophil secretory products inactivate many of the chemical mediators of inflammation and destroy cancer cells. This phenomenon is most obvious with mast cell-derived mediators. Mast cells produce a chemo tactic factor for eosinophils. When a foreign substance enters the body, lymphocytes and neutrophils release certain substances to attract eosinophils which release toxic substances to kill the invader.


Neutrophils


Neutrophils respond to chemo tactic signals and leave capillaries by a complex process, involving margination, rolling and then attaching, following which they emigrate between the endothelial cells (extravasation, or diapedesis). Several mediators are involved. They include substances produced by micro-organisms, and by the cells participating in the inflammatory process. One such is a substance called interleukin-1 (IL-1), which is released by macrophages as a result of infection or tissue injury. Another is histamine, released by circulating basophils, tissue mast cells, and blood platelets. It causes capillary and venular dilatation. Ca and C5a produced during complement activation are chemo tactic for phagocytic cells. Another group of substances produced are the acute phase proteins. As a result of tissue damage, the liver produces a substance called C-reactive protein. This activates the complement system by the classical pathway, and as a result Ca is formed and coats the organism, facilitating its phagocytes. Custom writing service can write essays on White Blood Cells


The peripheral immune system is activated and neutrophils from the bone marrow enter the blood. This increase in neutrophils will make more neutrophils present at the site of the injury. It is believed that these neutrophils cause damage to the axons of the nervous system. Neutrophils also make enzymes that kill bacteria, but also kill tissue which leads to damage of the nervous system.


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Monday, July 6, 2020

'Traffic'

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Traffic.


Openings of films are usually indicative of where the rest of the film will take us. In this case there is no exceptions. It starts out in a minimalist style. There is no opening credits to the actors or filmmakers, simply a seven letter word in the bottom left hand corner that expresses the essence of the film. In this case it is the trafficking of drugs in America that is being explored. Steven Soderbergh endeavours to orchestrate several distinct interweaving story lines that convey the enormity of the drug trade and its effects on all those from the bottom to the top of the supply chain. He uses a pastiche of styles and techniques to convey the otherwise confusing narrative and as a result reveals its themes and perspective.


The most obvious example of how Soderbergh achieves this is through different coloured filters and lights he applies to various scenes. He does this to help separate the stories and to immediately locate and familiarize ourselves with whose story we are dealing with. The stories are unravelled side by side, but they are never integrated into each other, except through location or overlapping editing. They arent linked at all through plot, only through theme - the macro world of drugs. As far as it is apparent the colours are there to place us in a location, they are not linked to character, as the characters move freely through different colour schemes. For example Robert Wakefield (Michael Douglas) the U.S. President's newly appointed drug czar, travels from the cool detached blue of the north states down to the over-saturated glossed up California and further down into the tobacco filth of Mexico. They also do not appear to be linked to plot or emotion as they do not change when there is a dramatic high point. There is however an inconsistency to the colours that make the film very irritating and difficult to follow. There are times when, for no apparent reason, Soderbergh will change the colour scheme. Suddenly the north states of Washington DC and Ohio arent blue anymore and the the preppy school kids are overdosing in a saturated colour - bled mess instead of the sterile blue that we have previously been conditioned to associate them with. Or Mexico will suddenly be alive with disco colours as Tijuana State policeman Javier Rodriguez (Benicio Del Toro) finds a unique way to bring to justice a gay assassin. It becomes even more confusing when characters start leaving their states and moving into others. Perhaps these deviations are linked to character or plot changes, perhaps Soderbergh is colouring the kids at the party in plush photo paper as a way of saying this is the kids foray into the glamourous life of drugs and money. Are they the babies playing dress-ups to the mommies in downtown San Diego?


Soderbergh chose to shoot the film himself under a pseudo name and employed the technique of handheld doco-style camera work. The Wobble cam technique most of the time feels alert without being too ostentatious. The psychological effect is that it makes us feel like a voyeur as we hover like a fly on the wall, picking up on the action from all angles, flying in to a blurred shaky close-up then out again to wide shot. The spontaneous zoom is also used in moments when the director feels we need to get closer to the action. The result helps to reinforce the realistic style of the doco-drama and to help portray a sense of belief and truth to the stories. It serves not to glamorize the characters or create a hero but to show ordinary flawed people in a situation where the villain is the War on Drugs. The only problem with this villain is it is undefined, unstoppable and in the end unresolved. How can you wage a war on your own family is the question we are left asking. The style like the villain is inconsistent, rough, cruel, unpredictable and in the end a force that cant be stopped. It tends to isolate the viewer, unsettle us, make us feel out of control and on edge. It makes it very difficult for us to relate emotionally to it ( the exception being the story of Caroline, the drug addicted daughter of the drug czar, but this is only because the victimized subject matter lends itself to empathy.)


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It doesnt provide a solution but it doesnt provide non-interfered picture either. Soderbergh does have an opinion, even though he is very careful in how he expresses it. There are a few speeches on the drug issues that provide clues to the direction the film takes but they are disguised in characters that are discredited in other ways so as not to appear preachy. For example, Seths speech to Robert as they look for Caroline


Woah. Why dont you just back the fuck up, man. To this place? What is that shit? Ok, right now, all over this great nation of ours, hundred thousand white people from the suburbs are cruisin around downtown asking every black person they see You got any drugs? You know where I can score some drugs? Think about the effect that that has on the psyche of a black person, on their possibilities. I... God I guarantee you bring a hundred thousand black people into your neighborhood, into fuckin Indian Hills, and theyre asking every white person they see You got any drugs? You know where I can score some drugs?, within a day everyone would be selling. Your friends. Their kids. Heres why its an unbeatable marketforce man. Its a three-hundred percent markup value. You can go out on the street and make five-hundred dollars in two hours, come back and do whatever you want to do with the rest of your day and, Im sorry, youre telling me that... youre telling me that white people would still be going to law school?


The main clues to Soderberghs opinion is expressed through the image frame. What he decides to show you and what he leaves out. More times than not he leaves things out or finds ways of disguising or obscuring them within the frame. He uses a lot of out of focus foreground action, which tends to conceal part of the frame. Its also concealing the whole of the drug picture. These are characters who are only affected in part, who are never connected to the whole. He also burns out the white highlights in the background, bleeding it into the foreground almost eating into the characters like a particular white powder eats away at you. When he isnt concealing within the frame he is letting the action play outside the frame. There is a certain spontaneity about doing so and we feel that the present reality is only temporary as we move quickly through to the next story.


The component of sound is used to blend the scenes and actions together with the dialogue of the next scene beginning before the image arrives. Editing is also engaged as a tool to amalgamate the stories together, via dissolves and assimilated actions. For example one character walks through a door to the outside and in the next scene another character walks inside through another door.


Editing is also used to help carry the films pace, rhythm and dynamics. Soderbergh moves between lengthy takes and short snappy cuts. The lengthy takes allow the frame to wander or to hover over a particularly uncomfortable image. Within these moments come the silence, the time to absorb the full entropy, and the time to provide the intricacies that help complete the film. The short cuts help to build momentum and pace within a dramatic moment. For example when the Mexico cops catch a drug cartel at the border, or when the DEA agents catch the middle-man Eduardo Ruiz. Sometimes they jump cut between actions or the frame jumps around on the same action, creating a kind of dyslexia in screen language and therefore a break in our own thought patterns. Sound is also sometimes overlapped in a similar fashion especially in the school kids scenes.


Traffic ends as suddenly as it began. There is no grand finale, no string quartet playing beautiful crescendos, no real fixed answers. It ends with Caroline, our victimized daughter, the one person we are willing to pull out the heart strings for. She is in rehab giving a very sobering speech.


On the good days, I feel like I get it, like it all makes sense. I can stay in the moment, I dont have to control everything in the future, and I believe everything is gonna work out fine. On the bad days I just want to grab the phone and start dialing numbers. I want to pull my hair and run through the streets screaming. But thanks to the people Ive met in these rooms, like Margaret and Jim and Sarah, ( a dramatic pause) Im pretty sure Im gonna make it through today.


Her father replies to the group, We are hear to listen. Perhaps this sums up Soderberghs stance the best. He doesnt have the answer to this very real problem, but this is what hes done about it. Hes created a voice that wants to be listened to, even if it is an ambiguous one. A voice that isnt so clear on content but very strong on style.


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Thursday, July 2, 2020

The Avro Arrow

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The Avro Arrow


In 1717, the manufacturing of beaver hats was begun in Montreal. Four finished hats were turned out every day. Then came the order directly from the King of France to kill the industry. There was to be no competition from the colony for French hat makers. "Colonies are established solely for the utility of the country that forms them", Louis XIV said. Two and a half centuries later, instead of from Versailles, the pressure came from Washington (Orchard, 1, p. 50).


The creativity, ingenuity, perseverance and skill of the people that created A.V. Roe (AVRO) Canada limited, has set the standard for Canadian technology. Their foresight and management made it Canada's largest corporation in just 1 years. A.V. Roe was faced with the challenge of producing a supersonic aircraft with a new engine. The airplane was to operate at twice the speed of any existing model and in all aspects the aircraft was technically advanced, both for the time of it's design and for the considerable advancements made in the field of aerodynamics (Zurring, 1, p. 1). The Avro Arrow was built to fend off the ever- changing Soviet threat and to begin a new area in Canadian defence. Britain, US and France had been relied upon in the past for Canadian defence; it was now time to rely on our military and air force for the protection of Canada. Challenges that faced A.V. Roe in producing the plane included, manpower, engineering design, flight testing, finance, and maintaining relations with a single client, the Canadian government (Zurring, 1, p. ). But, the most mysterious and unexplained aspect of the Avro Arrow has been the involvement of the Americans and their role in the cancellation of Canada's greatest airplane.


Why was the Arrow cancelled? The official reason given by the Canadian government was that the missile age was coming to an end and manned jet fighter aircraft, including the Arrow, had become obsolete. Accordingly, the new American missile system, called the Bomarc missile system, was to be purchased, and because Canada could not afford both the Arrow and the Bomarc, the Arrow was going to be cancelled ( Zurring, 1, p. 165). Behind the scenes pressure from the United States for Canada to buy the Bomarc a system that was untried, unproven and would eventually prove useless was direct and effective. In a meeting between the Canadian defence minister, George Pearkes, and the U.S. secretary of state for defence, Neil McElroy, the Canadian government asked what would happen if Canada refused to buy the Bomarc. The Canadians were told that the consequence would be the emplacement of at least one more Bomarc Squadron in the U.S., south of the Great Lakes. Because the Bomarc had a limited range of 50 miles, this would mean, in the advent of war against incoming Soviet missiles from the north, the certainty of nuclear holocaust above Canadas most densely populated regions. Consequently, the Canadian government decided to purchase the Bomarcs, put them further north in Canada, and terminate the Arrow ( ) .


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As for the Bomarc missile system, admitted by the Americans themselves to be entirely for the the defence of the American Strategic Air Command and not for Canada, it turned out to be an expensive dud which became obsolete before it was installed( ).


A significant but little known fact is that the Arrow was the only aircraft in the world capable of downing the new, top secret U spy plane developed by the CIA, which in the late 150s was overflying countries around the globe. The U flew at an altitude of 70,000 feet, unreachable by any existing interceptor but well within the Arrows range( ) . In 160, Defence Minister Pearkes admitted the U was overflying Canada and that without interceptor aircraft, Canada could do nothing about this.


The Avro Jetliner was destroyed to allow the Americans to introduce their Boeing Jetliner, eight years after the Canadian Jetliner had first flown. Just as the Mark II was about to fly, and in all likelihood bring the worlds speed record to Canada, thirtyseven supersonic aircraft were scrapped. To make sure no new aircraft would rise from the cuttings of the blow torches, a freetrade agreement in defence supplies, the CanadaU.S. Defence Production Sharing Agreement of 15, was signed. That agreement integrated the defence industries of the two countries. Canada agreed to rely on the United States for defense technology, and has never again tried to be selfreliant in the aerospace and defense industries. Instead of producing its own aircraft, Canadian industry was reoriented to produce parts for U.S. contractors. In 158, within three months of the Arrows cancellation, Canada joined NORAD, which integrated the air defence of the two countries under a joint command headquartered in Colorado. In the future, Defence Minister Pearkes said, the United States would supply jet interceptors defence if Canada should require it. The operation of these two agreements ensured that Canada would never again create and produce hightech aircraft. The very country that has invaded Canada repeatedly, and has been by far its most dangerous and sustained threat over the centuries, now looks after Canadas defence.


Canada went on to spend billions of dollars on civilian and military aircraft from


American firms, aircraft less suited to its needs and climate. The Canadian defence


industry today consists mainly of subsidiaries of American corporations. These


subsidiary firms are encouraged to station scouts in the United States to catch word of


pending U.S. contracts. They can then make a bid to produce U.S. weapons.


With the cancellation of the Arrow thousands of the highly skilled engineers, designers and aerospace workers, some gathered with great difficulty from all over the world, who for ten years had refused repeated offers from U.S. firms to leave Canada, were thrown out of work and now had little choice. Twentysix of Avros top engineers, including Jim Chamberlin from British Columbia, Avros chief of design, were sent by the Canadian government to NASA, where their skills played a crucial role in landing an American on the moon. Chamberlin was later described by NASA management as probably one of the most brilliant men ever to work with NASA. Highly skilled Avro engineers made their contributions in almost all fields of aviation and technology throughout the Western world, not only with NASA but also with Boeing of Seattle, RCA in Massachussetts, HawkerSiddeley of England, Fokker of Holland, and the European Space Agency.


With an eightyear lead on the United States in civilian jetliner technology and the Avro Arrow, the Canadian aerospace industry could have taken on the best in the world. It would also have been competition for U.S. corporations. Instead, Avro scrambled for whatever business it could find, at one point landing a contract to produce pots and pans. In 16, Avro sold what remained of its gutted operations to de Havilland, leaving a wealth of concepts, ideas and designs that, over the next three decades, were used by leading British and American firms. And the myth began to be fostered that Canada did not have the skills, capabilities or resources to build worldclass industries on its own.


If the Jetliner and Arrow had gone ahead, they, like the CF100, would have been purchased by other countries. American industrialist Howard Hughes was interested in producing the Jetliner in the United States, and several American companies wished to order the aircraft from Avro. An American company had signed a contract with Avro to produce the Iroquois under license the first contract of its kind signed by the United States with a Canadian company. France had approached Avro about purchasing 00 Iroquois engines for use in its Mirage jet fighter. Both the United States and Britain were interested in the Arrow because they had nothing comparable.


The technology, the research and the talent, as well as the money since spent on foreign aircraft, both military and commercial, would have remained in Canada. A dynamic aerospace industry would have established itself as one of the major engines driving Canadas economy. Equally significant, Canada would have had the capability to patrol and defend its own borders and airspace against incursion by all intruders. If the Arrow had flown with Iroquois engines, it almost certainly would have broken world records for both speed and altitude. Had the Canadian public seen that happen, cancellation of the Arrow would have been impossible. That is why the blowtorches came in before the Mark IIs could lift off the ground.


The Arrow was not cancelled because it was costly or obsolete or defective. It was, in the words of electronics engineer and Arrow researcher, Palmiro Campagna, erased from existence, because it was too damn good!


Please note that this sample paper on The Avro Arrow is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on The Avro Arrow, we are here to assist you. Your persuasive essay on The Avro Arrow will be written from scratch, so you do not have to worry about its originality.


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Outline the 'Cosmological Argument' for the existence of God and access its claim to prove that God exists

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Outline the 'Cosmological Argument' for the existence of God and access its claim to prove that God exists


The term 'cosmological' comes from the Greek words 'kosmos' and 'logos' translated as 'cosmos' synonymous with 'universe' and 'Logos' meaning 'blueprint' or 'plan'. Therefore, 'cosmology' refers to the 'blueprint of the universe'. The 'Cosmological Argument' is sometimes reffered to as the 'causal argument' or the 'first cause argument' and has many different versions that differ from person to person.


Although the basis for the cosmological argument lies with greek philosophy, it really was the Muslim philosophers of the middle ages who generated the debate of the argument to any extent. They developed the Kalam Cosmological Argument ('Kalam' meaning 'speech') and the group consisted of notable Muslim philosophers as al- Kindi and al-Ghazali.


One of the Kalam group's important contributions was to consider the origins of the universe and the difficulties involving the idea that the universe has existed forever or for infinity. Al Ghazali stated that no 'actual infinities' could exist and that is to say that we can talk of 'potential infinity', such as an infinite series of numbers, however this is very different from them existing in 'actuality' i.e. in the 'real world'.Custom Essays on Outline the 'Cosmological Argument' for the existence of God and access its claim to prove that God exists


The Kalam argument can be summed up to say that - actual infinity is not possible. Therefore, if you trace the series of causes for the existence of the universe back in time this cannot go on for infinity. So, the universe must have begun at a certain moment in time and this moment in time is the cause of the universe. Therefore, the cause of the universe is God.


Thomas Aquinas - a medieval Christian theologian and Philosopher presented the most famous version of the cosmological argument and incidentally adopted the stance of the Kalam group that actual infinity is impossible.


Between 165-7, Aquinas wrote 'Summa Theologica' in which he presented his famous 'five ways'. Each 'way' is an argument (or what Aquinas termed 'demonstratio') that begins with a fact that we can observe. He then reaches a conclusion that is not subject to everyday observation. These 'five ways' which is 'a posteriori' (considering facts about the universe) based on inductive proof are


· An Unmoved Mover - based on the premise that there is change in the world. For this change, we move to an original instigator of that change.


· An Uncaused cause each event is caused by something and that event then causes something in turn. There must be a first cause initiating the chain of causes and effects.


· Possibility and Necessity There are things that are impermenant plants etc) and things that are permanant ungenerated being is the source of the impermanent things.


· Degrees of quantity Goodness and completeness are things that belong to God.


· Design everything operates as to a design this design is from God.


Although the first three () are separate 'ways' they are actually three arguments that complement each other or are three parts of the same argument. Before introducing these 'five ways', Aquinas stated that " God's effects…. Are enough to prove that God exists, even if they are not enough to comprehend what he is" Aquinas developed these 'ways' as he believed that that show us that God exists, but it cannot tell us about the nature of God and what he actually is. Therefore, Aquinas would agree with a critic who argues that his five ways do not prove the existence of God. However, the aim is to show that 'something' must existence and that 'something' is God.


Aquinas' 'first way' basically states that In the world something's are in motion. For something to move it must be moved by something else. However, movement cannot go on for infinity. Therefore, the first mover must be God.


The 'second way' states that In the world events occur and every event has a cause. It is impossible for these series of causes to be infinite therefore, there must be a first cause God.


The 'third way' states that In the world everything is contingent beings and things (something that would not have been). If we accept that all things are infinite then there must have been a time when there was nothing and if there were nothing, then there would be nothing now. Therefore, there must be something that is necessary and every necessary thing is either caused by another or is not. However, as the 'second way' is shown, causes cannot go for infinity therefore there must be a necessary being for that cause and this we call is God.


However, there are some critics to Aquinas' theory of the cosmological argument by a number of key thinkers.


Hick points out that the 'five ways' of Aquinas present us with two alternatives that the universe is either "a mere untelligble brute fact", or there is a 'first cause'. However, we are not compelled to choose one over the other. The argument only holds if we can conclusively show that the universe is not unintelligible.


David Hume a 0th century Atheist claimed that we have not even experienced the creation of the universe, yet we are prepared to argue that because there are causes of things within the universe. Hume believed that all knowledge comes from our own experience of the world. Something can only be called a cause if it is observed to be causing something. The linking of cause to effect depends upon them being observed as two separate things. However, we cannot get 'outside' the world to observe its cause.


However, some thinkers have rallied to help Aquinas such as Peter Geach points out that the question of independence in nature adds to discussions about the causes of individual elements of creation. Geach stated in his book 'The Three Philosophers' that "if the world is an object, it seems natural to ask about it the sort of causal questions which would be legitimate about its parts. If it began to exist, what brought it into existence in any case, what keeps it from perishing, as some of its parts perish? And what keeps its processes going?" I think that the answer to that is God.


However, Aquinas was aware that his arguments had their limitations. He never intended to use his arguments to define God, but rather point towards the existence of something that could be called 'God'.


Fredrick Copleston a Professor in the University of London also agreed with Aquinas' theory (however not so complicated) on the Cosmological Argument. In 147, a radio debate between himself and Bertrand Russell took place to give their views on the argument. Here, Copleston defined a 'necessary being' as "a being that must and cannot exist" however Russell responded to Copleston's argument by rejecting his terminology. He claimed that if you accept Copleston's terminology, particularly the claim that everything in the world is contingent or dependent, then his argument seems and appears to be quite persuasive. However, if you accept that everything is dependent on something else then it seems reasonable to suggest that there has to be something necessary or non-dependent.


Of cause, Russell refused to accept this line of thought as he would not accept the first premises of the argument. He suggested that the argument suggested that because everyone has a mother, then the universe must have a parent. While this is true for each Human Being, it does not follow for the universe. In reply, Copleston said "If one does not wish to embark on the path which leads to the affirmation of transcendent being, however the latter may be described one has to deny the reality of the problem and assert that things 'just are' and the existal problem in question is just a psudo and if one effuses, to even sit down at the chess board and make a move. Then one cannot of cause, be checkmated."


Therefore, Fredrick Copleston argued that everything within the universe has a cause, whereas Russell argues that it does not. However, even if Russell were persuaded to accept that everything has a cause, then he would want to argue that the existence of 'God' needs an explanation as much as the universe needs an explanation.


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Wednesday, July 1, 2020

Salems general

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ALCOHOLISM


Every year, over 100,000 people die from alcoholism, making it the third leading cause of preventable mortality in the United States. Drinking alcoholic beverages heavily has major impacts on every aspect of a persons life. Yet, even knowing the possible dangers to their health or social life, over 14 million people in our country have drinkin problems, not including the 1% of high school seniors who say that they drink heavily.


Even thought alcoholism is a major problem in America today, it is still influenced widely around the country. Practices of parents, or parental alcoholism can influence teenagers to drink. Also, many teens are convinced to drink merely through peer pressure or simply watching others drink. Many alcoholic beverages are advertised on television, giving the illusion that drinking makes a person more attractive, or socially acceptable. Some people drink thinking they will add success, romance, or adventure to their lives.


Many people do not know, however, how seriously heavy drinking can effect a persons health. For almost all people, drinking more than drinks a day will endanger the health of that person. Deaths due to alcohol occure at much younger ages than cancer or heart disease; and over 0% of suicidal victims are under the influence of alcohol.


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Extreme amounts of drinking can damage practically every organ in the body. Liver diseases and death are mostly caused from alcoholic beverages, and depression of the immune system makes the person more susceptible to infectious diseases. Cancer also arises with alcoholism, mainly in the upper areas of the digestive tract, such as the esophagus and the mouth; but cancer has also appeared in the colon and liver. Over 4,000 to 1,000 are born each year with physical and intellectual disabilities due to alcoholism of the mother.


Divorced couples are three times as likely as any other reason to say that the main issue between their relationship was alcoholism, while over 6.6 million people under the age of 18 live in a household with at least one alcoholic parent.


So why do people, despite all of the harsh consequences and the hard-to-escape addiction, still go after the chance to take that first drink? Why has our culture let itself be fooled so easily that alcoholism is a good thing that makes life better? Even with all of the cures and abilities to quite available, people stay narrow-minded and stick to their bottle of beer and keep grabbing for new bottles once the first is finished. The truth is that too many people do not have the salvation of Christ in their lives. They believe that life is the way it is, and the only way out of it is to let themselves be fooled by the influence of a drink. The only way life will ever become better and stay that way eternally is through the guidance of God.


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