Henry Wadsworth Longfellow

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Henry Wadsworth Longfellow

Henry Wadsworth Longfellow was born on February 7,1807, in Portland, Massachusetts, to Zilpha Wadsworth Longfellow and Stephen Longfellow. Growing up by the ocean influenced him to write. At age thirteen he had his first poem published in a Portland newspaper. At age fifteen he started college at Bowdoin College, where he met a friend named Nathaniel Hawthorne. It was at this time that they both decided to become writers. Longfellow was very good at learning other languages, after college, and then he accepted a position as the college's first professor of modern languages. First, he planned to study French, Spanish, and Italian. He mastered those languages and began to study German. After three years in Europe, he returned to Bowdoin to begin the position as professor of modern languages. Him being the first, he had to create his own textbooks. For the next ten years he concentrated on scholar writing, teaching, translating, and prose. During this same time he composed almost no poetry.

In 181, Longfellow married Mary Storer Potter. In 184, the couple traveled to Europe in order for Henry to prepare for his new position, modern languages, he was offered at Harvard University. There he studied German literature in Europe. The couple liked to travel a lot, while they were in the Netherlands; his wife suffered a miscarriage and died shortly afterward in Rotterdam on November ,185. Later that year, he published a collection of European travel sketches, his first book, called Outr�-Mer A Pilgrimage Beyond the Sea. The collection of poems called ballads and Other Poems (1841) contained several works that made Longfellow well known. These included "The wreck of the Hesperus", "The Village Blacksmith", and "Excelsior". In 184, Longfellow proposed to Frances (Fanny) Appleton, following a seven-year courtship. They got married in July 184. The couple had six children and enjoyed eighteen years of happiness. Longfellow had been a boarder at the Craigie House in Cambridge, Mass., after his marriage to Frances; her wealthy father bought the house for them as a wedding gift. The house and grounds now make up the Longfellow National Historic Site.

The first of his four major narrative poems, Evangeline, was published in 1847. This poem is based on the removal of French settlers from Nova Scotia by the British during the French and Indian War (1754-176). Gabriel Lajeunesse and Evangeline Bellefontaine, two lovers, are separated as a result of the removal. It tells about Evangeline searching her whole life for Gabriel and finding him at old age dying from the plague. This poem played on the then popular appeal of sentimental love stories. The Song of Hiawatha (1855) was the second of Longfellow's major narrative poems. The poem focused on Hiawatha, an Indian hero, whose life was full of triumphs and tragedies. He presents in the poem the Indians' mythology, which he had read about in the writings of the experts of his day. The Courtship of Miles Standish (1858) was the third of his major narrative poems. This poem deals with the early history of New England. The poem tells of a love triangle involving Miles Standish, Priscilla Mullins, and John Alden. Miles is too proud to ask Priscilla to marry him, and asks John to do it for him. Priscilla asked John while he is acting for Miles, rather than speaking for himself, John and Priscilla marry and are eventually reunited in friendship with Miles. In the Tales of a Wayside Inn, the fourth, and last, of Longfellow's major narrative poems. This poem is a series of twenty-two stories in verse told by seven men gathered at an inn in "Sudbury Town" in Massachusetts.

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Longfellow translated poetry from eighteen languages. His most significant translation was Dante Alighieri's medieval poem the Divine Comedy, published in 1867. Some scholars feel Longfellow made the finest translation of the Divine Comedy in the English language. During his later years, Longfellow wrote sensitive lyric poems and, also, attempted longer dramatic poems.

To today's readers, Longfellow's sentimental and optimistic poetry makes him seem old-fashioned. In his poetry he used literature from other countries for the content and as a source, thus made his work more interesting. His work has often been criticized, but his lyric and narrative poetry made lasting contributions to the American literary tradition. Longfellow wrote for the common middle class reader in a clear sometimes-elegant style that represents popular American values.

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