Charlie Chaplain's "The Kid"

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The Kid (11)

Written and directed by Charlie Chaplin

Music composed by Chaplin

Starring Charlie Chaplin as the Tramp Jackie Coogan as the Kid

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Also starring Edna Purviance, Chuck Reisner, and Lita Grey

Like the Kid in the film, Charlie Chaplin was a penniless orphan as a young child and used to dance on street corners in London with his brother for spare change. At age eight, he joined a child dance troupe and began taking child roles in London plays. When he was twenty-three, Chaplin toured the U.S. with a stage troupe and was discovered by producer/director Mack Sennet, who had him star in 5 short films within one year (114) for his production company Keystone. By the end of the year, Chaplin was a wealthy man and an established presence in the filmmaking world. Through his initial 5 films, Chaplin evolved the character of the Tramp, an invincible vagabond, [a] resilient little fellow with an eye for beauty and a pretense of elegance who [stands] up heroically and pathetically against overwhelming odds and somehow triumph[s] (Katz 5). He perfected the character in 115 in The Tramp, considered by many to be his first masterpiece. Analyze the character of the Tramp. By the 10s this figure was universally recognized and still is today. Why is he so appealing? What is comical about him? What makes him sympathetic and even at times admirable? What differentiates him from generic vagabond characters? Note the many contradictions in both his personality and his physical characteristics. Why would Chaplin deliberately make his signature character so paradoxical?

The Kid was Chaplins first feature-length film and marked the beginning of his tendency to mix comedy with pathos, a quality that arouses feelings of sympathy, pity, or compassion. (The blend of comedy and pathos reaches its culmination in The Goldrush (15), which many consider his greatest masterpiece.) The comedy in The Kid is more rooted in character and serious situations than in the mindless slapstick of many other silent comedies. Consider the most comic moments--how are they enhanced by the presence of pathos in the film? And how is the pathos enhanced by the comedy? What would the film be like without the comedy?

Chaplin continued making silent films long after sound films became popular (e.g. his City Lights [11] and Modern Times [16] were both silents when most other pictures were talkies). Discuss why a director would choose silents over talkies. What can silent films do that talkies cant?

Discuss the character of the Kid. Jackie Coogan became a star with this role and stayed a star throughout his childhood. His career slumped when he became an adult, however, and by the mid-10s he was virtually unknown. He had a comeback as Uncle Fester in the original Addams Family t.v. show. What makes the Kid so appealing? Is there anything complex about his character? What do he and the Tramp do for a living?

Analyze the dream sequence. Why is it there? Is there anything symbolic in it? Does it add to the emotional effect of the film or to your understanding of character? What kind of heaven does the Tramp eventually find?

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