Rivals

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Review of The Rivals

A well-written play is an excellent piece of literature, but the performance of the play determines its success. The Shakespeare Theatre in Washington, D.C. produced an outstanding production of Richard Brinsley Sheridan's The Rivals, a comical romance set in the nineteenth century. The play's success is due to the outstanding performance by the cast, as well as the producer's unbeatable theatrical techniques to appeal to a twenty-first century audience.

The actors in the play fulfilled their roles in a variety of ways. The costumes were neatly designed, and they reflected the personalities of the characters. Bob Acres, a rather wealthy man of the upper middleclass, was presented as an outgoing, yet uncivilized character. He first appeared on stage in a grubby green jacket and mucky leather pants, his hair portraying the rugged life he lived, and a dead varmint in his hand. With his physical appearance, he stood out from the rest of the civilized, well-mannered, and sophisticated cast. As a result, Bob was viewed as the uncivilized individual in the play. After his initial conversation with Captain Jack Absolute and Faulkland, he sat at the side of the stage eating a meal provided by Captain Absolute. However, the audience failed to totally focus on the following conversation between Captain Absolute and Sir Anthony Absolute because Bob's table manner's displayed off to the side were intriguingly humorous. He devoured his meal and kept his glass of wine always filled to the top. As Bob Acres first appearance on the stage ended when he discretely exited the stage, instinctively taking the bottle of wine with him.

Mrs. Malaprop was as well a source of humor for the audience. Nancy Robinette played the role of Mrs. Malaprop with distinction. Her high-pitched, squeaky voice added to the effect of her misuse of words. Her tone of voice combined with her numerous malapropisms, made her appear oblivious to her innocent and hilarious abuse of the English language.

David Sabin's role as Sir Anthony Absolute was by far the most favored character by the audience. Sir Anthony was a heavy-set, elderly man with a keen sense of humor. He felt that he still had his God-given authority over his adult son Captain Jack and particularly Jack's choice for a spouse. David Sabin presented Sir Anthony's personality as if it was his own. He often made many witty remarks, matched by his body language and facial expressions making the already humorous text 'absolutely' hysterical to the audience. When attempting to convince Jack that Lydia Languish should be his wife, Sabin used some of the most uproarious body language. He kept nudging Jack with his cane as his eyes grew enormous, saying "Then, Jack, her neck! (nudge) O Jack! (nudge) Jack!! (nudge, nudge)." Sir Anthony's use of his cane through the play was rather interesting. Although he used it to walk (a sign of weakness), he used it to convey messages and point authoritatively at others as well, showing his intellectual strength and influence.

At the closing of the play, Sir Anthony and Mrs. Malaprop both received standing ovations from the crowd. Both David Sabin and Nancy Robinette performed their roles probably better than any other actor could. Their comments combined with their effortless and natural adoption of the characters' personalities, Sabin and Robinette were definitely the most charming members of the cast.

The audience at the performance mainly consisted of elderly people, but the play did capture my attention and curious interest to see what followed. Although, the play was set in the nineteenth century, the old-fashioned English script was naturally spoken by the cast, and I completely understood the dialect and was rather captivated by it. The scenes were set up quickly and discretely, with the curtains used for scene changes in brief amounts of time. Even with the curtains pulled across the background, the play continued through a smooth transition to the next scene. As a result, the play had a continuous, smooth flow from beginning to end. Different lighting techniques added to the reality and beauty of the scene sets. In one instance in Lydia Languish's room, a window on the right side of the stage had the curtains pulled back with light that protruded through as if it were the actual daylight. The outdoor scene at the end of the play when Captain Jack and Bob Acres prepare to duel showed a different lighting effect. The backdrop of the scene was a painted canvas of the evening sky with a lightly phosphorescent glow to it. Dim lights shined on the stage, causing the evening sky to be especially noticeable. The scenes were set mainly in rooms reflecting the contemporary nineteenth century elegance. The rooms created for the audience a sense of enchantment; the decorative antique furniture and nineteenth century carpentry added to the effect. The stage props, such as the bottle of wine were often used for interaction with the plays characters. The scene settings were fundamental in creating a first-class production of The Rivals.

This production of The Rivals was by far the best drama performance I have ever witnessed in my life. I, along with the rest of the audience, was captivated by the charm of the well-organized play. The costumes seemed to complement each character's personality, and the actors fulfilled their roles impeccably, continuously providing laughs for the audience. The play did not show its age, but its humor, and it professionally provided the audience with hilarious and enchanting entertainment.

Audience member at Shakespeare Theatre, Washington DC

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