Thursday, June 4, 2020

Moral order

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Understanding the importance of moral order is essential to the


full comprehension behind Shakespeare's ideas in the play Hamlet.


Moral order in plain definition can be understood as the presence of


good and the absence of evil in the manner the world works. Claudius,


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the antagonist in the play, being the main source of evil, uses various


characters in his plans and through his actions causes the characters as


well as Hamlet to fall subject to this evil. Ultimately, disturbing moral


order by all the deaths and suffering created. Therefore, it is evident


that A. C. Bradley's is accurate in stating that moral order is the


ultimate power in the play, and shows itself to be true through the


inevitable demise of those characters which took part in disturbing it.


According to A.C. Bradley, "In Shakespearean tragedy the main


source of convulsion which produces suffering and death is never good…


The main source, on the contrary, is in every case evil; and what is more


(though this seems to have been little noticed), it is in the almost every


case evil in the fullest sense, mot mere imperfection but plain moral


evil." This quotation becomes evident in the examination of the


opening scenes when the characters realize that all is not well in


Denmark and that there is definitely something disturbed seeing as how


ghosts only wander the night to complete unfinished business.


When Hamlet states, "My father's spirit in arms! all is not


well; /I doubt some foul play would the night were come! /Till then sit


still, my soul. Foul deeds will rise, / Through all the earth o'erwhelm


them, to men's eyes." (Act 1, Scene lines 5-56), he has a strong feeling


that something is not correct with his father's death. Marcellus has also


come to a conclusion when he states, "Something is rotten in the


state of Denmark." (Act 1, Scene 4 line 0) This quotation is a definite


realization that there is corruption because of some cause, both


politically and morally. The only unknown fact at this point would be


the reason of this disturbance. The last half of A. C. Bradley's quotation


can be directly associated to Claudius in that he is plain moral evil. He


shows this through the manner in which he conceived the throne.


Instead of fighting King Hamlet Sr. honourably, he kills his brother, in a


cowardly manner, by pouring poison in his ear while he was sleeping.


Claudius is evil in the fullest sense because he shows little remorse for his


actions and refuses to give up his throne and queen. Rather, he uses


other characters like Rosencrantz and Guildenstern, as ponds in an


attempt to keep what he has gained thus far.


A.C. Bradley furthermore provides a perfect description of


Claudius' character when he states, "Evil exhibits itself everywhere as


something negative, barren, weakening, destructive, a principle of death.


It Isolates, disunites, and tends to annihilate not only its opposite but


itself." The fact that evil is weakening, destructive, isolates, disunites,


etc. is seen directly through the breakdown of the main source of evil,


Claudius, and indirectly through his victims. Claudius directly affected


himself and Hamlet by means of his murderous and incestuous actions.


His evil causes Hamlet to put on antic- disposition and appear evil.


A. C. Bradley goes on to state, "That which keeps the evil man


prosperous, makes him succeed, even permits him to exist, is the good in


him (I do not mean only the obvious "moral" good). When the evil in him


masters the good and has its way, it destroys other people through him,


but also destroys him." Claudius' manipulative manner is the "good" in


him that makes him prosperous and allows him to exist. He shows this


in many of his lines but primarily in Act 1, Scene , in his opening


address. This is the first time the reader is introduced to Claudius and it


can already be noticed that he is very manipulative in his speech. He


makes himself out to be the "sacrificed" one that had to marry his sister-


in-law and assume the throne just so that everything would appear


alright in Denmark. Manipulation is also seen when the King is


speaking to Rosencrantz and Guildenstern and states


I like him not, nor stands it safe with us


To let his madness range. Therefore prepare you;


I your commission will forthwith dispatch,


And he to England shall along with you


The terms of our estate may not endure


Hazard so dangerous as doth hourly grow


Out of his lunacies. (Act , Scene lines 1-7)


In this quotation, Claudius manipulates Rosencrantz and


Guildenstern to believe that the King (therefore the country) is in great


danger and that they must get rid of Hamlet. This is quite ironic given


the fact that Claudius is the real danger in the play and that through his


actions, he indirectly affected other characters. Hamlet's actions in


response to Claudius' evil, become consequential for characters like


Ophelia, Gertrude, Polonius, Rosencrantz and Guildenstern, which only


find their deaths by the end of the play.


A. C. Bradley's final description of Claudius states, "At the close of


the struggle he has vanished, and has left behind him nothing that can


stand. What remains is … a country, exhausted, pale, and feeble, but


alive through the principle of good which animates it; and within it,


individuals who, if they have not the brilliance or greatness of the tragic


character, still have won our respect and confidence." Finally, after all


the chaos has occurred and moral order is restored through the deaths of


those which disturbed it, Claudius leaves behind him nothing that is


worth a great deal but what does shine through is the timely appearance


of the only character that has achieved his goal honourably. Fortinbras


is the savoir at the end of the play that will revive the frail city and


bring Denmark back to its moral and principled customs that seized to


exist once the murder of King Hamlet Sr. took place. Horatio can also


be seen as a horourable character that stood by Hamlet's side throughout


all the chaos and his phase of antic- disposition.


Hamlet is a tragic hero because he did contribute to his eventual


downfall, but cannot be seen as evil through his actions. A.C. Bradley


comments on this fact when he states, "Even when this plain moral evil


is not the obvious prime source within the play, it lies behind it the


situation with which Hamlet has to deal has been formed by adultery


and murder…" Hamlet was not evil but brought into evil


because he had to avenge his father's murder. Also, the fact that Hamlet


states


…God willing, shall not lack. Let us go in together;


And still your finger on your lips, I pray.


The time is out of joint; O cursed spite,


That ever I was born to set it right!-


Nay, come, let's go together." (Act 1, Scene 5 lines 188- 1)


shows that Hamlet was not keen on killing Claudius but it is his duty,


evil or not, to avenge his father's death. As a final point, A.C. Bradley


does not just blame the main source of evil but also the hero that in him


too has faults. He states, "Again, if we confine our attention to the hero,


and to those cases where the gross and palpable evil is not in him but


elsewhere, we find that the comparatively innocent hero still shows some


marked imperfection or defect… These defects or imperfections are


certainly, in the wide sense of the word, evil, and they contribute


decisively to the conflict and catastrophe." This statement is true


because it is Hamlet's faults which add to the conflict, disturbs moral


order and eventually brings about his demise. It was Hamlet's


incapability to perform tasks when they were due or irresolution that


was his biggest fault. He had the prime opportunity to kill Claudius


when he was praying but did not do it because he wanted Claudius to


suffer the ultimate punishment of hell. Hamlet thinks about things too


much and because of this he misses the chance to kill Claudius. This in


turn caused his impulsive reaction of killing Polonius, which he thought


was Claudius. It was these factors that made Hamlet fall subject to evil


but he himself was not evil. This evil in turn, caused him to disturb the


moral order and was restored with him unfortunate death. This once


more proves that moral order is the ultimate power.


In retrospect, A. C. Bradley's commentary on moral order being


the ultimate power and has proven itself through the annihilation of the


antagonist, Claudius, which originally disrupted the order and the other


characters like Hamlet, Gertrude, Ophelia, Polonius, Laertes,


Rosencrantz and Guildenstern, which also through inevitable


Circumstances came into relation with the source of evil and caused


them also to disrupt the moral order. So in this play the disturbance of


the moral order is shown through the opposite of the actual definition;


the presence of evil and the absence of good. A. C. Bradley helps the


reader to understand that moral order does not act randomly


or without reason but rather because it has to be restored once disturbed.


Under no situation could the characters escape the restoration and


therefore this fact reinforces that moral order is, in the true sense, the


ultimate power.


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