Thursday, March 25, 2021

Le Morte D'Arthur

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In Le Morte D'Arthur Sir Thomas Mallory introduces women in a narrow spectrum and often opposite of roles. Ranging from the chaste to the wild, from the obedient to the deadly. In this book it becomes obvious that we can place the majority of the women into three categories. Courtly lovers, temptresses, and obedient servants. Women are often portrayed as being the main instigators for the greatest victories and the biggest downfalls.


The one theme that is rarely prevalent in Le Morte D'Arthur is courtly love. Which is the purest and is perceived to be the most virtuous of women's traits. The love shared between Iseult and Sir Tristram could very well be characterized as courtly love. Although Iseult is obliged to marry King Mark, she is already genuinely in love with Sir Tristram. "She undergoes many hazards in the course of her love for Sir Tristram before rescuing him from prison and taking refuge with him Sir Launcelots castle, the Joyous Gard."


Whenever a knight sets out on a quest for adventure he almost always comes across a maid or queen who tries to seduce him; to break his code of honor and coerce him into temptation. We will take Morgan Le Fay for example who is married and has a son. She and three other queens find Sir Launcelot asleep under an apple tree. At first they argue about which one of them would be able to have the knight for her own. Morgan Le Fay suggests, "let us not quarrel. Instead, I will cast a spell over him so that he remains asleep while we can take him to my castle and make him our prisoner. We can then oblige him to choose one of us for his paramour." The bulk of the women in this book resemble Morgan Le Fay. Which is the least virtuous of women. Some might not be as evil but possess the intention of having the knight break his oath.


With these last two characteristics in mind there is an equally important category of women. The obedient servants, who are the well-to-do types, who always honor their husbands. Not because it is something they feel passionate about, but rather they feel it is the right thing to do. They are not to be confused with courtly lovers; there are many discrepetancies between the two. Courtly lovers do not have to be married, but honestly love one another. Counter to an obedient servant; who is most definitely married, and may not love her husband but is loyal nevertheless. To help your understanding of this I will use the example of Queen Igraine. She is first married to the Duke of Tintagil. During this marriage she is asked by King Uther to become his paramour. Igraine, being the Dukes obedient servant remained loyal to him, and reported to him immediately King Uthers proposal. King Uther then (after Igraines' husband is killed) impersonates the Duke, and causes Igraine to become pregnant. When she finds out her husband has died and she no longer owes him any loyalties, she marries King Uther. Later Uther reveals to her that he is the father to her unborn child. "And Igraine was overjoyed to discover that the father of her child was now her husband." She was not the least bit upset the he had deceived her, or that once the child is born she has to give him to Merlin under Uthers orders. The reason she is not distraught is because she is now King Uthers obedient servant.Buy Le Morte D'Arthur term paper


In conclusion Sir Thomas Malory reflects the attitudes of Arthurian society towards women in these threefold archetypes. The three archetypes being courtly lovers, the true romantics. The temptresses, the immoral and mean-spirited ones. And finally the obedient servants, who were the least complex of all the personalities, because they went along with whatever any one said. The complexities of all the women added interest and curiosity in a very stereotypical way.


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