"Othello"

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"Othello" by William Shakespeare

The tragic tale of William Shakespeare's great warrior, "Othello" is a world renowned story of back biting, envy and greed, in which the protagonist characters are so greatly consumed with spite and jealousy, that they go so far as destroying their own lives to obtain revenge. Shakespeare's innovative use of the archaic English language coupled with his captivatingly sinister characters, immediately sets the stage, for one of the most famous plots ever put into print.

From the outset Shakespeare details an intriguing situation, through his dexterous use of figurative language. Metaphors, in particular, are used to great effect by Shakespeare, when Roderigo and Iago are claiming their grievances with "the Moor", to Brabantio. Each characters individual vocabulary also helps as an insight into their personalities, as well as a hint to how they may behave as the play develops. Iago can be seen as a manipulative and scheming character, always controlling the situation from the shadows, an example of this happens when Iago and Roderigo go to "rouse Brabantio"

" Zounds sir, you're robbed…..

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Even now, now, very now, an old black ram

is tupping your white ewe."

The suggestively verbose, figurative language that is used, by the evidently intelligent Iago, is in stark contrast to Roderigo's simple jibes, and in describing Othello as an "old black ram" has an enormous and sickening dramatic effect. Immediately this skilful use of language suggests what might develop from the action of the first scene, as the plot thickens.

It is made clear in the first act, through Shakespeare's unique and intriguing writing structure, that the plot will centre around the individual jealousies of the characters. The opening scene is, for the most part, written similar to simple prose, to give the impression that the audience is listening in on a private conversation. However, blank verse is also used throughout the first act, to give flowing, poetic rhythm to the speech , this structure is complemented with the use of rhyming couplets, to emphasise the point a character is making. A good example of this is at the end of the first act, when Iago gives a soliloquy

"I have't. It is engered. Hell and night

Must bring this monstrous birth to the world's light."

This soliloquy acts, not only as a message to the audience, but also to emphasise his point. The blank verse used helps the text to flow as speech, when read aloud. While the rhyming couplet at the end stylishly closes Iago's speech, whilst also prophesising his plan of action, to destroy Othello.

The characters created by Shakespeare, go hand in hand with the language used, to make the opening section of the play so effective. Notably, in the first section, the character Roderigo, helps to prepare the audience for the action to come. Roderigo is a spiteful "fool", who Iago looks upon as his "purse", just another pawn in the human game of chess he is playing. Roderigo is so overtaken with his jealousy of Desdemona's love for Othello that he is blinded to the truth, that Iago is merely using him as a means to an end. He has none of the cunning possessed by Iago, and is shown to be dim-witted and crude in his criticism of "the Moor"

"What a full fortune does the thick lips owe,

If he can carry't thus!"

Roderigo persistently harks back to these vulgar images of the "lascivious Moor", with "thick lips", in an effort to make his point, as he lacks the intelligence of Iago to cleverly construct his language to convey meaning. Although he is naive and highly temperamental, even threatening to "incontinently drown" himself, he is crucial in the first act to add to the volatile mixture of hatred directed towards Othello. It are these elements of his character that allowed me to believe that he could be manipulated into doing anything in the forthcoming scenes.

The most crucial character in the first section of the play is, without doubt, Iago, Othello's "ancient", and one of his most trusted soldiers. "Honest Iago" , as he is described by Othello, is anything but loyal and will stop at nothing to wreak his vengeance, to "serve my turn upon him". He is the most devious and ingenious characters that the audience is introduced to in the first act, he is seen to be laying down plans to obtain his revenge, by manipulating every other character in the story, most noticeably Roderigo

"Thus do I ever make my fool my purse;

For I mine own gained knowledge should profane,

If I would time expend with such a snipe,

But for my sport and profit."

It is possible to see from this how Iago sees the story that is unweaving as "sport", and intends to continue to exploit those around him "as asses", until he acquires retribution. It is Iago's schemes and plans, above all else, that serve to make the first act of the play so exciting. Through all his malevolent actions, his strategy slowly becomes apparent to the audience, so that we are fully prepared and anxious to see how these plans unfold, in the rest of the play.

And so this is how Shakespeare uses his superior grasp of language and inauspicious characters to create an ominous tone for the action that awaits. Through his use of a wide and varying range of characters, and Iago who is insistent in controlling them all, to Shakespeare's own manipulation, of descriptive language. Shakespeare manages to create all of this drama and chilling ambience within the first act , leaving the audience to wonder in anticipation, as to how this Machiavellian tale will continue.

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